Wednesday, February 10, 2010

Collect of the Day: St. Scholastica


St. Scholastica
Virgin

My heart hath uttered a good word: I speak my words to the King.
(From the introit of the day's Mass, Ps. 44. 2)

Collect of the Day
Deus, qui ánimam beátæ Vírginis tuæ Scholásticæ, ad ostendéndam innocéntiæ viam, in colúmbæ spécie cælum penetráre fecísti: da nobis, ejus méritis et précibus, ita innocénter vívere; ut ad ætérna mereámur gáudia perveníre. Per Dóminum...

Ss. Scholastica and Benedict

O God, who, to show us the way of innocence, didst cause the soul of Thy blessed Virgin Scholastica to enter heaven in the form of a dove: grant through her merits and prayers that we may live in an innocence that will win for us eternal joys. Through...

Epistle - 2 Corinthians, 10. 17-18; 11. 1-2 / Gospel - St. Matthew, 25. 1-13

February 10.—ST. SCHOLASTICA, Abbess.

OF this Saint but little is known on earth, save that she was the sister of the great patriarch St. Benedict, and that, under his direction, she founded and governed a numerous community near Monte Casino. St. Gregory sums up her life by saying that she devoted herself to God from her childhood, and that her pure soul went to God in the likeness of a dove, as if to show that her life had been enriched with the fullest gifts of the Holy Spirit. Her brother was accustomed to visit her every year, for "she could not be sated or wearied with the words of grace which flowed from his lips." On his last visit, after a day passed in spiritual converse, the Saint, knowing that her end was near, said, "My brother, leave me not, I pray you, this night, but discourse with me till dawn on the bliss of those who see God in heaven." St. Benedict would not, break his rule at the bidding of natural affection; and then the Saint bowed her head on her hands and prayed; and there arose a storm so violent that St. Benedict could not return to his monastery, and they passed the night in heavenly conversation. Three days later St. Benedict saw in a vision the soul of his sister going up in the likeness of a dove into heaven. Then he gave thanks to God for the graces He had given her, and for the glory which had crowned them. When she died, St. Benedict, her spiritual daughters, and the monks sent by St. Benedict mingled their tears and prayed, "Alas! alas! dearest mother, to whom dost thou leave us now? Pray for us to Jesus, to Whom thou art gone." They then devoutly celebrated holy Mass, "commending her soul to God;" and her body was borne to Monte Casino, and laid by her brother in the tomb he had prepared for himself." And they bewailed her many days;" and St. Benedict said, "Weep not, sisters and brothers; for assuredly Jesus has taken her before us to be our aid and defence against all our enemies, that we may stand in the evil day and be in all things perfect." She died about the year 543.

The Death of St. Scholastica by Jean Restout II, 1730

Reflection.--Our relatives must be loved in and for God; otherwise the purest affection becomes inordinate and is so much taken from Him.

Tuesday, February 9, 2010

Several Excellent Methods: Twelve

Several Excellent Methods of Hearing Mass
By Lady Lucy Herbert


A Manner of Assisting at Holy Mass, considering our Death as a Holocaust and Sacrifice of Thanksgiving. It is to prepare us for Death, Mass being the most proper Time for that Preparation, since it is a Commemoration of Christ’s Death, in which his Merits are applied to us.

Consider your death as a Holocaust our Sacrifice of Praise, to adore and worship the greatness of God. Endeavour to render it so by acts conformable, and therein employ yourself from the beginning of Mass till the Sanctus.

At the Beginning of Mass.

Consideration.

Reflect that sacrifices were ordained to honour God, who is infinite in all kinds, containing in himself all greatness and excellency; which to honour worthily, it ought to be with the destruction and sacrifice of our lives; life being the greatest thing we have our ourselves to offer.

Affections

My God, though my death is inevitable, yet in acknowledgment of your sovereign dominion over me, and for love of you, I am resolved, as much as in me lies, to make it voluntary; and, therefore, I now freely offer myself to it: So that could I avoid dying, I would not, that by my death I may make restitution of all I am to your Divine Majesty who gave it me. I rejoice that by death I shall be no more in a condition to resist your will and dominion over me as Lord and Maker. I accept of death in punishment for my having so often done it.

My god, I acknowledge and confess before heaven and earth, that you only are him that is, and I rejoice at it with my whole heart; and I, poor creature, am her that is not. I embrace, with humble submission, the destruction of my body, which by death is to return to dust or nothing from whence you drew it. I humbly adore the decrees of your providence, and submit to whatever you have been pleased, from all eternity, to ordain concerning my death. And because I know not what will then be the sentiments of my soul, I desire not to perform that which I wish then to do, and beg you will be pleased to accept it now for that time.

I adore you, Father, Son, and Holy Ghost, one in essence and three in persons, and I love you with my whole heart. I acknowledge you as Author and Principal of my life, both of nature and grace. I firmly believe all you have said, and as firmly hope all you have promised, because you are truth itself, and can neither deceive nor be deceived. You are an infinite Good, containing in yourself whatsoever is good; therefore I love you above all things, and that purely for yourself.

It is for your sake alone, my God, who are infinitely amiable, and can never be sufficiently loved, that I detest all my sins, because contrary to your sanctity. I detest them for the same motive that Christ our Lord detested them in the garden of Gethsemani; and for the same motive that my detest them, I offer you, in reparation of the affronts you have received by them, the love with which your only Son, and blessed Mother loved you, and the love with which all the Just upon earth, and Saints and Angels in heaven love you, and with which you love yourself.

I desire that the last motion of my heart may be an act of adoration to pay you due homage for my being, and an act of love whereby loving you for yourself, and in the last moment of my time, I may continue to love you for eternity.

I adore your power which created me, your goodness which redeemed me, your providence which has care of me, and your mercy which has pardoned me so many offenses. I adore also your justice, and abandon myself to it, but with this confidence, that your goodness and mercy will never forsake me, but plead for me before your justice; and obtain that I may for all eternity sing forth your mercies. Full of this sweet and amorous confidence, I hope to see and enjoy your blessings in the land of the living, of which you are the resurrection and the life.

At the Offertory.

Consideration.

Reflect that Christ not only offered his life and merits upon Mount Calvary for your salvation, and to purchase for you all yo shall want for that effect, but he is also pleased to do the same upon our altars: Now what is more necessary for salvation than a happy death? Confide therefore, since he will obtain it for you.

Affections.

Innumerable are the thanks I owe you, my dear Redeemer, for thus sacrificing yourself for me; all I can offer in return, is my life, which I offer as a victim to honour you; and that it may be worthy of your acceptance, I unite it with yours, which you offered for me on the Cross, and are now going to offer for me here. Let the fire of your love consume this victim, that so it may be grateful to you.

O infinite Goodness! You are all love. Loving me, though so unworthy, with an infinite love. I give you my heart, fit it for yourself, and fill it with your love, that so from this instant it may of sinful become holy. I offer myself a Holocaust, that is, my life with all the objects of it. All I have or could love in it, all the satisfactions I could draw from it, all which I freely offer to you; destroy both them and me by death; so that if it please you to take my life this moment, I readily submit to it, and truly desire to die now, that I may enjoy you, and be no more in danger of offending you.

But if it be your will and pleasure to leave me yet some time in this dark prison of my body, grant me the grace from this instant to love nothing but you, whose love has redeemed me, and bought me with no less a price than you precious blood, as a condemned criminal begged from the gallows for experience: but what experience, dear Lord? To try if, after such preventions, I could come to love you. O work that love in me, ad steroy all that opposes it. Let is take up all my thoughts, actions, and affections, and in a word my whole heart.

From the Sanctus till the Agnus Dei, consider your Death as a Sacrifice of Thanksgiving.

Motives to accept and offer it as such.

God requires Sacrifices of Thanksgiving, under pain of withdrawing his affection and favours from us. St. Bernard speaking of ingratitude, says, that it dries up the fountain of goodness, the dew of mercy, and the current of God’s graces. If you desire not to be guilty of it, offer to God the sacrifice of your life, and with it all that might be a pleasure and contentment in it, as a Sacrifice of Thanksgiving. Rejoice that you have that to offer in return for what God has bestowed upon you, and desire that you may soon offer it.

Affections.

O my god! How great are your benefits to me, both in number and worth, and how kind your way of bestowing them on me. If I should spend every moment of my life in thanksgiving, yet I should not be able to return due thanks for one single benefit; for, besides those favours common to all your creatures, your particular providence has been most liberal to me; in my education, my vocation, the innumerable and powerful helps you have given me for my salvation continued by you, though neglected by me. The many dangers, both of soul and body, which you have secured me from, preserving me from death, when in the state of sin, etc., add one more to these, I beseech you, which is a happy death.

Accept, in thanksgiving, the sacrifice of my life, and all I am and have, which by death I sacrifice to you. And I desire now actually to offer it, if such be your divine will and pleasure; if not now, whenever you please. In the mean-time I offer the sacrifice and myself to be sacrificed; and I wish I could every moment offer the same, and had I a million of lives, I would offer each of them a Sacrifice of Thanksgiving. Accept, my god, this free and willing oblation I make you of my life, and with it all earthly enjoyments; for were it in my power to avoid death, yet I would die in return of thanks for all you favours and mercies to me; and especially for your having died for me: for whatever else I offer it is still but part of your gifts, but by death I sacrifice all.

At the Elevation.

Consideration.

Having adored jesus lifted up by the hands of the priest, as he was on the Cross, call to mind that when he was upon earth he said these words: “No man can shew a greater love than to give his life him he loves.” This Christ has done for you; love and gratitude obliges you to do the same for him.

Affections.

O my God, since love has made you died for me, it is by just that with a good will I accept of death for love you. Had I thousand lives, I would give them all to acknowledge this your love to me. I embrace death in return; and rejoice that this body of sin will be by it destroyed in punishment for my having offended your goodness. Let earth return to earth, but grant that my soul created to your image, and redeemed with your Blood, may return to you. This is what I earnestly beg, recommending it now for then into your sacred hands.

I do most humbly thank you for all your benefits, as I desire to do at the last moment of my life; in which possibly I may be deprived of both speech and reason: and therefore not able to speak, or even think of you. Therefore be pleased now to receive my thanksgiving for all your benefits to me, general and particular, known and unknown; but above all for that Blood and life you offered for me on Mount Calvary, and daily offer on our altars, allowing me to the happiness to be present, and applying to my soul the merits thereof, through means of the Sacraments. For all which I offer all the adorations, praises, and thanksgiving, which the humanity of my Saviour and his blessed Mother rendered to you, O Eternal Father! And those which all the Saints and Angels have, and will render you for all eternity. And all the Sacrifices of Mass, which have been, are, or shall be offered you till the day of judgment.

And when in my Agony I shall not be able to adore, praise, and thank you my god, I desire still to be united to all those that do it both in heaven and on earth. And I offer now and then my agony, my seat, and dolorous sufferings of my dying Saviour, for the remission of my sins, and for the eternal glory of the Father, Son, and Holy Ghost: whose name be fore ever praised, and will for ever be done, in me, and by me, for all eternity.

O my God! I abandon myself to your Divine will; and to the judgment you shall pronounce on my soul: and I submit to it with my whole heart, confiding in your goodness that you will safe a soul, you have loved so much as to send your only Son for its redemption and salvation.

For Communion

Consideration.

Reflect how the same Jesus Christ, present on the altar, as said: that he who shall eat his flesh shall live for eternity, and shall not die for ever. Beg that this may be fulfilled in you; and confide it will be so, since you have his word for it.

Affections.

How coms this happiness to me, that my God should vouchsafe to visit me! Lord I am not worthy that you should enter my soul, speak only the word, and my soul shall be saved. I firmly believe whatever you have said, and therefore, unworthy as I am, I desire to receive you, that so I may be made worthy to live for ever with you. Grant that this heavenly food may be to me a preservative against all my enemies at the hour of my death, and that I may receive it with the disposiitions most pleasing to you. And since you are pleased to promise that those who eat your flesh, and drink your Blood, shall not die for ever; I confide in your mercy, that I shall not die that eternal death: and I beg that whilst I live I may never die by sin, which I dread more than temporal death.

My Saviour and redeemer, the Sovereign object of my heart! Take possession of its affections. Sanctify my soul, and replenish it with your grace; to the end that all the remain moments of my life may be entirely spent in your love.

I desire now to die, having received my God and Saviour; that separated from all earthly things, and from this my body; I may for ever be united to you with unchangeable affection. Jesus, my Jesus, be to me a Jesus especially in my last hour; and fortify me in my passage out of this world, against all your enemies and mine.

[Further Considerations.]

Then take, as it were, an oath of allegiance; renew your vows, and promised made for you at Baptism. Beg your Sovereign Lord never to leave you. Say to him, with the Disciples of Emmaus: Stay with me Lord, for it si late, the best part of my life being spent, and the evening of it now approaches. Or else with holy Simeon: let your servant depart now in peace, for not only my eyes have seen, but my Heart has received the Author of my Salvation. And with the Royal Prophet: although I walk in the shadow of death, I will fear no evil, because you, my Lord, are with me.

[Further Affections.]

Put yourself, dear Lord, as a seal upon my heart, that nothing but you may find entrance there; I unite this Communion with that I shall make at my death; and both with that you made before your death: and also with the Communions of our blessed Lady, and all your Saints during their lives, that those may supply for all the faults I have, or ever shall commit in receiving you.

I beg, dear Saviour, that you will make me partaker of those Sacred dispositions which your Divine Soul had at the last moment of your life, to the which, I with my whole heart unite mine; that they may supply for all my defects at my death. Dear jesus be to me a Jesus, especially at the hour of my death. I abandon myself entirely to you, to suffer for your sake the pangs of death. And I renounce and disavow all impatience, or any evil I may be tempted to commit.

At the Benediction say,

O most Blessed and undivided Trinity, Father, Son, and Holy Ghost, I adore you, and consecrate to you my heart and all its affections. Bless me now and at the hour of my death, as you bless those that are yours and bring with them to that everlasting glory which you have designed for me; that I may for ever bless and praise your mercies. Amen.

Collect of the Day: St. Cyril of Alexandria

St. Cyril of Alexandria Triumphs Over the Heretic Nestorius by Frantisek Ingac Platzer, St. Nicholas Church, Prague, 1760

St. Cyril of Alexandria
Bishop, Confessor, and Doctor of the Church

It is good to give praise to the Lord: and to sing to Thy Name, O Most High.
(From the introit of the day's Mass, Ps. 91. 2)


St. Cyril of Alexandra by Anthony Visco, Shrine of Our Lady of Guadalupe, La Crosse, Wisconsin, 2007

Collect of the Day

Deus, qui beátum Cyríllum Confessórem tuum atque Pontíficem divínæ maternitátis beatíssimæ Vírginis Maríæ assertórem invíctum effecísti: concéde, ipso intercedénte; ut, qui vere eam Genitrícem Dei crédimus, matérna ejúsdem protectióne salvémur. Per eúmdem Dóminum...

O God, who didst make blessed Cyril, Thy Confessor and Bishop, the invincible champion of the divine Motherhood of the Most Blessed Virgin Mary: grant that by his intercession, we who believe her to be truly the Mother of God, may be saved by her motherly protection. Through...

Epistle - 2 Timothy, 4. 1-8 / Gospel - St. Matthew, 5. 13-19

click to enlarge
The Mother of God by Andreas Ritzos, 1590

ST. CYRIL OF ALEXANDRIA.

ST. CYRIL became Patriarch of Alexandria in 412. Having at first thrown himself with ardor into the party politics of the place, God called him to a nobler conflict. In 428, Nestorius, Bishop of Constantinople, began to deny the unity of Person in Christ, and to refuse to the Blessed Virgin the title of "Mother of God." He was strongly supported by disciples and friends throughout the East. As the assertion of the divine maternity of Our Lady was necessary to the integrity of the doctrine of the Incarnation, so, with St. Cyril, devotion to the Mother was the necessary complement of his devotion to the Son. St. Cyril, after expostulating in vain, accused Nestorius to Pope Celestine. The Pope commanded retraction, under pain of separation from the Church, and intrusted St. Cyril with the conduct of the proceedings. The appointed day, June 7, 431, found Nestorius and Cyril at Ephesus, with over 200 bishops. After waiting twelve days in vain for the Syrian bishops, the council with Cyril tried Nestorius, and deposed him from his see. Upon this the Syrians and Nestorians excommunicated St. Cyril, and complained of him to the emperor as a peace-breaker. Imprisoned and threatened with banishment, the Saint rejoiced to confess Christ by suffering. In time it was recognized that St. Cyril was right, and with him the Church triumphed. Forgetting his wrongs, and careless of controversial punctilio, Cyril then reconciled himself with all who would consent to hold the doctrine of the Incarnation intact. He died in 444.

Reflection.—The Incarnation is the mystery of God's dwelling amongst us, and therefore should be the dearest object of our contemplation. It was the passion of St. Cyril's life; for it he underwent toil and persecution, and willingly sacrificed credit and friends.

Monday, February 8, 2010

The Mass that Saved Sacred Music

The Kyrie, Gloria and Creed
video


The Sanctus, Benedictus, Agnus Dei
video


Legend has it that Giovanni Pierluigi da Palestrina composed the Missa Papae Marcelli to convince the Council Fathers of Trent not to place a ban upon polyphonic chant. After hearing Palestrina’s Mass, Charles Cardinal Borromeo was so convinced of the intelligibility and beauty of polyphony that he persuaded the Fathers of Trent to jettison a prepared draft of a cannon that would have severely limited sacred music. With his art Palestrina courageously saved sacred music… or so the legend goes. It’s the kind of tale, one wherein a single work of art changed the world, that all artists dream for themselves.

Recent scholarship, however, demonstrates that Palestrina's Missa Papae Marcelli was probably composed some ten years before the Council Fathers of Trent considered the question of sacred music. Such is "recent scholarship", always a wet blanket. However, it can be safely concluded that Palestrina and the Roman School of Polyphony was a great influence on the Council, and served in the end to temper the mood of churchmen that had been blackened by unfortunate developments in church music prior to the Council.

At that time motets, madrigals, and secular chansons were mixed and sung together with the liturgical texts so that several voices would be singing several different texts, often in various languages. The end result could be very beautiful, with intricately interlace harmonies, but it was often liturgically incomprehensible. The Gloria could hardly be distinguished from the Kyrie or Credo, and often the choir would sing Mass parts at inappropriate times. While aesthetically pleasing, such music did little else in service to the liturgy.


The Council of Trent by Pasquale Cati da Iesi, 1588

One practice in particular, the parody Mass, could even be blasphemous, though not intentionally so. The word “parody” here does not indicate comedic or satirical. A parody Mass, or imitation Mass, was composed by borrowing melodies and harmonies from motets and secular chansons, and applying the liturgical texts to these melodies. Often the melodies of the secular chansons would bring to mind the sensual or otherwise inappropriate themes of the original lyrics. In fact, congregations would often take to singing the original lyrics during the Mass. Obviously this practice constituted a rather serious abuse, and the Fathers of Trent saw it as an attack on the very integrity of the Roman Rite, no matter the artistic merit or demerit of any given parody Mass.

However, one must be careful not to oversimplify the artistic state of affairs prior to the Council. Not all parody Masses were tasteless entertainments for a rabble rousing laity. Palestrina was responsible for composing over fifty parody Masses, himself. It could be done tastefully, and even in such a way that the liturgical texts were respected. Nevertheless, the parody Mass, at base, risked reducing sacred music to mere entertainment that served as a distraction from the primary intentions of the Church's liturgy.

On the other hand, while there were real problems regarding the nature of sacred music, there were, no doubt, Council Fathers of a more austere Augustinian bent who would have preferred homophony, and, we can be sure, there were no doubt one or two musical iconoclasts in their ranks, stark rubricists, who would have been happy with a complete ban of music all together. There were both reasonable concerns and radical ideologies on both sides of the debate.

Nevertheless, it would be a mischaracterization to reduce sacred music after the Council to some kind of whimsical ecclesiastical Hegelian dialectic, a simple compromise emerging between the artist and the churchmen. Anyone who has walked into a Baroque Church or heard Mozart’s Requiem Mass knows that the artistic expression of the following centuries can not be explained as compromise. Rather what developed was a flourishing of artistic achievement made possible by, ironically, the imposition boundaries.

The early Renaissance marked an important turning point in Church art, one that was not rejected, but rather welcomed by the ecclesiastical establishment. Throughout the medieval period, sacred art was largely defined by the great monasteries and by monastic ideals. The artistic output of the medieval period was symbolic and iconic, heavily influenced by Eastern iconography. Western art lacked a distinctive character until the advent of the Renaissance. The new and distinctive art of the period, which was realistic while at the same time idealistic, helped to reinforce the perennial truths of the Catholic religion in a unique way.

The new medium of sacred art, however, was conveyed by a professional class of artists who worked on commission, and thus they had to compete with each other for the attention of their patrons. In such an environment, artistic license could easily be given to base entertainment, and such artistic license ran head on with ecclesiastical discipline. The debates that surrounded the twenty-second session of the Council of Trent where intended to re-enforce the obligation of artistic expression to confine itself to the service of salvation. Sacred art was sacred, not so much because of its theme, content or circumstance, but it was sacred in as much as it directed the senses, imaginations, minds and hearts of the faithful toward God.

In the end the Council Fathers never agreed on the infamous canon 8 that would have severely limited artistic expression. Instead the Council Fathers settled on less strident verbiage: “They shall also banish from churches all those kinds of music, in which, whether by the organ, or in the singing, there is mixed up any thing lascivious or impure” (Decree Concerning the Things to be Observed, and to be Avoided, in the Celebration of the Mass, from the twenty-second Session of the Council of Trent). The Council Fathers limited themselves to the easily recognizable and specific problem of the parody Mass.

Still, the theological principle, that sacred art should be at the service of the divine, turning the hearts and minds of the faithful toward God, persisted among both the churchmen and the artists. This principle is judged by modern musicologists and art historians as a factor that limited artistic expression. Strict forms, such as a Mass setting, limited the artistic freedom of the composer or artist.

However, sacred art is not an arena wherein human artistic expression should be given free reign. This was a practical reality that both churchman and artist understood and accepted. A humanist historian or musicologist sees only lines and colors, and appreciate only technique, but the magnificence of the Baroque is stunning for no other reason than it was infused by hearts, minds and hands turned toward the divine. The Council of Trent’s restraint was guided by the realization that sacred art turned toward God could be complex, many layered, colorful and grand. Sacred art not only brought the mind to God, but revealed the true greatness of man as the image and likeness of God.

The only way man is truly great is when he is transparent before the light of the Divine. While Palestrina and the artists who followed him were confined by a particular principle and rigid form, that principle and form, the sacred liturgies of Christ’s Church, are the only things that can truly reveal the greatness of man. In short, art directed toward God is stunningly polyphonic, breathtakingly symphonic because the object is stunningly polyphonic, breathtakingly symphonic, divinely sublime.

Artistic expression without these confines, given to unfettered license, suffers from entropy, not greatness. Modern art history is a chronology of a decent into entropy as the artist embraced his own license freed from the confines of the sacred, the confines of doctrine, and ultimately the confines of order itself, a direct result of the sixteenth century doctrinal dissent and the humanism that developed in its wake. Take for example the chaotic blur of expressionism, the violence of Romanticism and the sterility of the International Style. In music, this entropy is characterized by dissonance and emotionalism, which has spiraled down to our day in the overtly sexual beat of rock music, and the absolute disorder of “Goth” music, which can only be appreciated by equally disordered and cacophonic minds and souls.

A twenty-six year old Wolfgang Amadeus Mozart abandoned in frustration what is considered his most brilliant composition, his Mass in C minor. Mozart at that age was unable to restrain his individualistic and human creativity within the boundaries of the sublime, God created structure of the liturgy. As a result, a Mass composition was impossible for him. However, as he matured he came to either realize or accept the God given boundaries imposed on sacred music. For the humanist, the unfinished Mass in C minor is a tragedy, an unfinished symphony. However, the Mass is not a human symphony or stage on which man might demonstrate his human genius. Mozart, perhaps begrudgingly accepting this fact later in later life, taught himself to remain in the boundaries of something much greater than a symphony, and a reality that far surpassed even his natural musical genius.

Of equal import, the Council Fathers of Trent, by their prohibition of the parody Mass, also defined what sacred music is not. Sacred music is not easy. It is not something that can be borrowed from the profane and given a polish by setting it in a liturgical context. Nor is it simply entertainment or mere sentimentalism. A difference was perceived between music that elicits an emotive response, something that remains on the mere visceral level of human experience, and that breathtakingly symphonic music that is a response to the encounter between man and God. When liturgical music patterns itself on eliciting an emotional, visceral response rather than directing the hearer toward God, liturgical music closes in on itself, and likewise closes the congregation into a circle wherein they focus simply on each other. The folk liturgical music of the post-Vatican II era, inflicted upon the Church by Marty Haugen, John Michael Talbot, the St. Louis Jesuits and all the others who have made careers out of dumbing-down John Rutter with folk riffs, is an example of sentimentalist mush that distracts from the sublime rather than suggesting prayer and communion with the divine. This folk music is easy, sentimentalist, and strives to entertain. It succeeds only in closing the congregation in on itself, reduced to looking at each other to fill a visceral, emotional, and all too mundane, human need. Modern liturgical music is self-centered, self-serving and ultimately self-destructive.

There’s no doubt that the wise restraint of the Council Fathers was at least in part inspired by the sacred music of Giovanni Pierluigi da Palestrina. Palestrina demonstrated that there was no conflict between the Mass and artistic expression. There was no struggle wherein the Mass triumphed over music, or humanism triumphed over applied form. At the same time the Council Fathers taught Palestrina that sacred music was not his play thing. Together, Palestrina and the Council Fathers demonstrated that there is a marriage in sacred music between the form and the art, both having the same object, the divine.

At no time in history has this marriage ever been so threatened, both from outside, by the attacks of the humanist musicologists, and from within, from the purveyors of modern folk liturgical music. For the humanist who judges music by the standards of the concert hall, none of Mozart's other Masses compare to his unfinished one in C minor. The rest are stagnant by their judgment, a judgment formed by a teleology of entropy. On the other hand, for the modern churchgoer, liturgical music is a self-serving emotional pick-me-up. Caught in the hold of the Devil’s pincher movement, most Catholics have lost a sense of sacred music, if not a sense of the sacred entirely.

However, there are a few who perceive what the Council Fathers of Trent perceived. They immediately recognize the profound depth of music inspired by the encounter of man with God. These are they who understand Gregorian chant as both a product of and an invitation to contemplation. These are those who soar on the wings of Mozart's Sparrow Mass or are impressed by the power of his Requiem, because they set the symphonic Mass in the context of the Mass and not the concert hall. It is these few who don’t seek to be entertained, but rather seek an encounter with God. These few truly appreciate the driving force, the substance, that lies at the heart of the legend of Palestrina’s Missa Papae Marcelli.

That driving force, that substance, is the Traditional Latin Mass.

Collect of the Day: St. John of Matha

St. John of Matha
Confessor

The mouth of the just shall meditate wisdom, and his tongue shall speak judgment: the law of his God is in his heart.
(From the introit of the day's Mass, Ps. 36. 30, 31)

Collect of the Day

Deus, qui per sanctum Joánnem órdinem sanctíssimæ Trinitátis ad rediméndum de potestáte Saracenórum captívos cælitus institúere dignátus es: præsta, quæsumus; ut, ejus suffragántibus méritis, a captivitáte córporis et ánimæ, te adjuvánte, liberémur. Per Dóminum...

O God who through Saint John didst from heaven deign to institute the Order of the Most Holy Trinity for ransoming captives from the power of the Saracens: help us through his merits, we beseech Thee, to freedom from bondage of body and of soul. Through...

Lesson - Ecclesiasticus, 31. 8-11 / Gospel - St. Luke, 12. 35-40

February 8.—ST. JOHN OF MATHA.

THE life of St. John of Matha was one long course of self-sacrifice for the glory of God and the good of his neighbor. As a child, his chief delight was serving the poor; and he often told them he had come into the world for no other end but to wash their feet. He studied at Paris with such distinction that his professors advised him to become a priest, in order that his talents might render greater service to others; and, for this end, John gladly sacrificed his high rank and other worldly advantages. At his first Mass an angel appeared, clad in white, with a red and blue cross on his breast, and his hands reposing on the heads of a Christian and a Moorish captive. To ascertain what this signified, John repaired to St. Felix of Valois, a holy hermit living near Meaux, under whose direction he led a life of extreme penance. The angel again appeared, and they then set out for Rome, to learn the will of God from the lips of the Sovereign Pontiff, who told them to devote themselves to the redemption of captives. For this purpose they founded the Order of the Holy Trinity. The religious fasted every day, and gathering alms throughout Europe took them to Barbary, to redeem the Christian slaves. They devoted themselves also to the sick and prisoners in all countries. The charity of St. John in devoting his life to the redemption of captives was visibly blessed by God. On his second return from Tunis he brought back one hundred and twenty liberated slaves. But the Moors attacked him at sea, overpowered his vessel, and doomed it to destruction, with all on board, by taking away the rudder and sails, and leaving it to the mercy of the winds. St. John tied his cloak to the mast, and prayed, saying, "Let God arise, and let His enemies be scattered. O Lord, Thou wilt save the humble, and wilt bring down the eyes of the proud." Suddenly the wind filled the small sail, and, without guidance, carried the ship safely in a few days to Ostia, the port of Rome, three hundred leagues from Tunis. Worn out by his heroic labors, John died in 1213, at the age of fifty-three.

Reflection.—Let us never forget that our blessed Lord, bade us love our neighbor not only as ourselves, but as He loved us, Who afterwards sacrificed Himself for us.

Christ in His Glory by Pietro Perugino, 1507

Sunday, February 7, 2010

Get the word out about USCCB corruption

Septuagesima Sunday in Kinkora, Ontario

Here are some photos from Saint Patrick Catholic Church in Kinkora, Ontario, Canada. The priest is Father Paul Nicholson, a diocesan priest for the London diocese.


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Thanks to Mr. Carl Vanderwouden for providing these wonderful photographs.

Collect of the Day: Sexagesima Sunday

The Parable of the Sower

Sexagesima Sunday

video

Arise, why sleepest Thou, O Lord? arise, and cast us not off to the end. Why turnest Thou Thy face away, and forgettest our trouble? our belly hath cleaved to the earth: arise, O Lord, help us and deliver us.
(From the introit of the day's Mass, Ps. 43. 23-26)

click to enlarge
The Martyrdom of St. Paul by Tintoretto, 1556


Collect of the Day
Deus, qui cónspicis quia ex nulla nostra actióne confídimus: concéde propítius; ut contra advérsa ómnia Doctóris Géntium protectióne muniámur. Per Dóminum....

O God, who seest that we put not our trust in any thing that we do: mercifully grant, that by the protection of the Doctor of the Gentiles we may be defended against all adversities. Through...

St. Paul by Domenico Beccafumi, 1515

Epistle - 2 Corinthians, 11. 19-33; 12. 1-19 / Gospel - St. Luke, 8. 4-15

From a Homily by St. Gregory the Great

Dearly beloved brethren, the passage from the Holy Gospel which ye have just heard, needeth not so much that I should explain it, as that I should seek to enforce its lesson. For what the Truth himself hath explained, human weakness may not presume to comment upon. But there is, in that very explanation by the Lord, something which we ought to consider carefully. For if we had told you that the seed is meant to signify the Word, ye might have doubted our understanding. Or if we had said that the field is the world ; and the birds, devils ; and the thorns, riches ; ye would perchance have denied the truth of our explanation. Therefore the Lord himself vouchsafed to give this explanation ; and that, not for this parable only, but that ye may know in what manner to interpret others, whereof he hath not given the meaning.

Beginning his explanation, the Lord saith that he speaketh in parable, that is he sheweth his language to be figurátive. Hereby he giveth confidence to the preacher when, in spite of his incapacity, he must needs endeavour to lay open to you the hidden meaning of the Lord's words. If I spake of myself, who would believe me when I say that riches are thorns? Thorns prick, but riches lull to rest. And yet riches are indeed thorns, for the anxiety they bring is a ceaseless pricking to the minds of their owners. And, if they lead into sin, they are thorns which made us bleed with the wounds which they inflict. But we understand from the Evangelist Matthew that in this place the Lord speaketh, not of riches themselves, but of the deceitfulness of riches.

Those riches are deceitful riches, which can be ours only for a little while ; those riches are deceitful riches, which cannot relieve the poverty of our souls. They only are the true riches, which made us rich in virtues. If then, dearly beloved brethren, ye seek to be rich, earnestly desire the true riches. If ye would be truly honourable, strive after the kingdom of heaven. If ye love the bravery of titles, hasten to have your names written down at the Court of the heavenly King, where Angels are. Take to heart the Lord's words which your ear heareth. The food of the soul is the Word of God. When the stomach is sick it throweth up again the food which is put into it ; and so is the soul sick when a man heareth and digesteth not in his memory the Word of God. For if any man canot keep his food, that man's life is in desperate case.

From the Roman Breviary

Saturday, February 6, 2010

Bishop Fellay's recent comments on the talks

Rorate Caeli reports on recent comments made by Bishop Fellay regarding the Vatican/SSPX talks, here.

And, therefore, even if we face a difficult and contradictory reality, we know that events are in God's hands, He who has the means to put things in order. It would be proper to recall that to talk and to debate is necessary, but it is not enough: when one talks about saving souls, when one considers how God rescued the Church from other crises it faced through the centuries, we see that holiness is that with which He renews and heals the Church.

There is more at DICI (English), here.

For us, we must really see this opportunity for the discussions with Rome as truly a disposition of Divine Providence, as truly an amazing grace to be able to present to the highest authorities in the Church what that Church has always said and which, thanks be to God, we have kept; thus, to make it resound at the very top of the Church. To bear witness to the Faith is a great grace. And even at Rome, a certain number [of prelates] are expecting from these discussions—and it’s a direct quote— “very much good for the Church"...

...We cannot say that the pope has only to do this or that. It is every member of the Church who must, once again, at his place, according to his powers, according to the grace of the good Lord, do everything he can for the Church’s restoration. Everybody must contribute his efforts—everybody. So let us make this effort precisely by our prayers, by our sacrifices, by all the means that truly give life to the Church. The means that the good Lord commonly uses to restore and uplift the Church is called holiness.
Bishop Fellay's remarks are solid. They may be sobering for some, especially those who would like to see the SSPX simply bow down to liberal and neo-conservative conceptions of the post-Vatican II Church. However, if the truth is spoken, then there is nothing to fear, there is nothing to compromise.

Friday, February 5, 2010

TradNews Roundup

*More details at Rorate Coeli about the CDF/SSPX talks.

*After man-made climate change, the biggest hoax of our young century is economic recovery.

*Ethically and doctrinally Nancy Pelosi has more in common with an an atheistic burlesque dancer than a Catholic, but, at least, she drinks like one.

*The inspiring Fr. Jenkins of Notre Dame University has left an indelible cultural mark on our society.

*US immigration judge rules that Germany's persecution of a homeschooling family violated basic human rights. As a result, German homeschooling family is granted political asylum in the United States.

*Widespread support for Scott Brown by pro-life voters may cause no pro-life candidates for POTUS in 2012.

*British "Catholic" politician commands that the Vatican submit to EU law. The liberal notion of separation of Church and State works in only one direction. Incredibly, non-Catholics in England have more respect for the Catholic pope.

*Pope to British Bishops: dissent is not mature debate.

*It's not so much an outright policy position of the CCHD. It's the company they keep.

*New study highlights the crisis in "Catholic" higher education.

*Cardinal Castrillon Hoyos to offer the Traditional Latin Mass at the high altar in the National Shrine of the Immaculate Conception in Washington, D.C.

*Anti-Catholic rhetoric continues from President Barack Obama’s Advisory Council on Faith-Based and Neighborhood Partnerships. Meanwhile, Obama strives to staff White House with other anti-Catholics.